Graffiti in the interior

Graffiti, which will be discussed, is located in one of the oldest and most enigmatic areas of Moscow - at the crossroads of Chinatown and the Ivanovo slides. In two steps - a synagogue, charred ruins of the hostel, Ivanovsky monastery, where he languished Saltychikha strange monument Mandelstam and Orthodox Palestine Society.

"Variations on the theme," did so. Yet there is no by Dürer, Dürer - a psychology, an abscess, painting on the verge of insanity, the awareness of the abyss and ourselves in it. For booth - well for Prado - hardly.

Here and in addition to finding the prototypes - have to understand that.

If one of the strangest places in Moscow for some reason, reckless irrational half-crazy Oxford mathematician has been replaced by the horsemen of the apocalypse, images of death (at least three different forms, for at least three walls), the devil (in Kulishki something), melancholy and so forth - it is at least worthy of understanding.

And I somehow without ideological thought: Get Dürer in techno style. Harsh on the line, but then the scale, and the material dictate ...

Author is definitely a master. His Jerome I like even more than the original (especially if it is not considered Jerome). And the idea of compositional oppose rushing angry armed horsemen serene and unruffled baby Madonna, for whom the truth and the power - simply brilliant.

To be honest, turned pop, shilovschina and glazunovschina - the superior forces of evil and darkness looming in our world of good and light, painted in the style of the TV version of the last 17 Moments of Spring. And once plucked from Dürer characters glow Orthodox broadside shine, everything is clear to everyone is happy, emotion, beauty of tears from the eyes