Theater Series | Hiroshi Sugimoto | Socks Studio

Theater Series | Hiroshi Sugimoto | Socks Studio



Since the late 1970s, Hiroshi Sugimoto photographed the interiors of cinemas and drive modules to encapsulate the entire length of the film in one shot. He left the camera shutter open during the course of the film and the glowing screen cinemas remained as a trace on every prinimat.To supernatural light resonates in dark cinemas. A further view, this underlines the central light ether rich architectural details of theater interiors. You can resist the work of Sugimoto's with Michael Wesely, a photographer who uses to take photographs featuringi 3 years long exposures: read "over time" (on the toes).
















Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto's work with Michael Wesely's, a photographer that uses to take photographs featuringi 3 years long exposures: read "The passing of time", (on Socks).