592
1942.
Photos of the Hungarian war correspondent with Don bend.
It will be 78 pictures, taken at f-passenger.livejournal.com/
Konok Tamas Sr. - Hungarian military correspondent, depicting in his black-and-white and color photographs in 1942 bend of the Don, its residents and the life of the Hungarian soldiers.
2.Stsenam military battles Hungarian photographers prefer the surrounding scenery and the daily lives of people who in some way trying to survive in a war, whether it is the soldiers, prisoners of war or civilians. Most of the pictures Tamasha Conoco in its spirit is not consistent with the purpose of propaganda of the time. Instead it series, combined under the name "We are fighting against them," depicting portraits of prisoners of war and civilians, was banned for display at the exhibition in Budapest in 1943. Representations of the leaders of the Hungarian army of the "enemy" is fundamentally different from those images, which were captured in the photographs.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
Source:
It will be 78 pictures, taken at f-passenger.livejournal.com/
Konok Tamas Sr. - Hungarian military correspondent, depicting in his black-and-white and color photographs in 1942 bend of the Don, its residents and the life of the Hungarian soldiers.
2.Stsenam military battles Hungarian photographers prefer the surrounding scenery and the daily lives of people who in some way trying to survive in a war, whether it is the soldiers, prisoners of war or civilians. Most of the pictures Tamasha Conoco in its spirit is not consistent with the purpose of propaganda of the time. Instead it series, combined under the name "We are fighting against them," depicting portraits of prisoners of war and civilians, was banned for display at the exhibition in Budapest in 1943. Representations of the leaders of the Hungarian army of the "enemy" is fundamentally different from those images, which were captured in the photographs.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
Source: