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Nine frames of the movie
9 frames - this is a new topic, which included highlights of the story, where the story is told just nine pictures.
The Shining, 1980.
The current project includes a wide range of films - a classic from Orson Welles' Citizen Kane, "fiction thriller Christopher Nolan's" The Dark Knight "and" Inception ", the indie movie" Melancholia "and" Memento "(" Remember "), as well as the psychological thriller David Lynch's "Mulholland Drive».
Memento (Remember), 2000.
Mulholland, 2001.
Melancholy, 2011.
Blog, which began in March this year has nearly 40 films and continues to expand its collection of works from the 9 frames. For fans of the movie is an inexhaustible source of fun and nostalgia. Film fans have the opportunity to remember the great films, as well as play a game - guess the movie as much as possible by looking at the frame 9 of the plot.
Start 2010.
Bullitt, 1968.
Taxi Driver, 1976.
Citizen Kane, 1941.
Chinatown, 1974.
A Clockwork Orange, 1971.
The Dark Knight, 2008.
The Haunted World, 2001.
Stunning love, 2002.
Sunset Boulevard, 1950.
Source: cinematographua.livejournal.com
The Shining, 1980.
The current project includes a wide range of films - a classic from Orson Welles' Citizen Kane, "fiction thriller Christopher Nolan's" The Dark Knight "and" Inception ", the indie movie" Melancholia "and" Memento "(" Remember "), as well as the psychological thriller David Lynch's "Mulholland Drive».
Memento (Remember), 2000.
Mulholland, 2001.
Melancholy, 2011.
Blog, which began in March this year has nearly 40 films and continues to expand its collection of works from the 9 frames. For fans of the movie is an inexhaustible source of fun and nostalgia. Film fans have the opportunity to remember the great films, as well as play a game - guess the movie as much as possible by looking at the frame 9 of the plot.
Start 2010.
Bullitt, 1968.
Taxi Driver, 1976.
Citizen Kane, 1941.
Chinatown, 1974.
A Clockwork Orange, 1971.
The Dark Knight, 2008.
The Haunted World, 2001.
Stunning love, 2002.
Sunset Boulevard, 1950.
Source: cinematographua.livejournal.com