Hermès Fall-Winter 2013-2014


I must say that Hermès very lucky with Christophe Lemer - just as lucky with Lemaire Hermès. It's amazing how in Hermès designer is able to cast talents in their own form, not pokorёzhiv them at the same time, on the contrary, giving them open. How to safely and naturally occurring changes here - without any disasters and the most convincing result. All the fashion house with a history of love constantly harping about his DNA - and few people know how it so vividly and convincingly demonstrate how did Hermès.

Christophe Lemaire showed a collection full of serenity and perfection that is felt throughout: in an ideal cut, in the noble colors and clear classic silhouette. Ermesovskaya heroine always somewhere to move, travel - the essence of Hermès, but this time it seemed as if she had just returned to his home, in his Paris apartment.

Simple capes, strapped on his shoulder leather straps, straight leather skirts, jackets strict, loose dresses to mid-calf, collared at the waist with a belt. Very witty and convenient option tuxedo - straight, double-breasted, one button, with a narrow shawl collar, black or deep shade tobacco.

Lemaire showed a variety of pants - loose, slightly gathered on the waist with stripes, wide and short, cigarette pants, straight with high waist and soft suede burgundy, already become his base. They complement collarless jackets, jackets and aviator jackets. Of course there were men cut coat - free white on Arizona Muse, with soft shoulders and pants wide collar, no collar direct Catherine McNeil, fur-lined and with contrasting leather inserts, and two whole Amanda Murphy - leather pony caramel color and of camel hair, draped over one shoulder.

At this time, crocodile skin, which is usually presented at Hermès in various forms, appeared, not counting the bags only once - in the form of a straight skirt saturated mustard hue. It seemed that quiet confidence comes from these things, did not need any special emphasis. All this - ermesovskaya ABC presented the most recent and non-trivial way, especially with the French freedom and dignity that no one now so organically does not embody as Hermès.





There are some exquisite irony in the fact that this house was created around the saddles, bridles and girths, today turned out to be the main stronghold of French elegance in her live, not as naphthalene. Especially clearly it became clear after the recent incidents in other famous Parisian homes.

Hermès show was like a glass of good French wine after a hard day, full of excitement and stress when with every sip away tension and clearer consciousness. And this blessed effect Hermès felt all gathered in the library of the Lyceum of Henry IV ...





















































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